EXHIBITION & CATALOGUE ESSAYS
‘Looking for home in ‘Mother’s Tongue’: on memory, connection and belonging’ Amber Koroluk-Stephenson ‘Mother’s Tongue’ Bett Gallery, 26 June - 18 July, 2026.
‘State Preparation: Reflections on crushing and time in Amanda Davies’ portraits of Penny Clive AO’, Amanda Davies ‘State Preparation: Paintings by Amanda Davies’ TOMB, Detached Cultural Organisation, 5 - 27 March, 2026.
‘Amanda Davies’ Reunion: A conversation with Owen Lade’, Amanda Davies ‘Reunion: Reflections on the Portraits of Owen Lade’ Solo Commission, Devonport Regional Gallery, 30 August - 1 November, 2025.
‘Beneath the surface of things: reflections on time, memory and materiality in Sara Maher’s Gravity Portal’, Sara Maher, ‘Gravity Portal’, Contemporary Art Tasmania, 1-8 March, 2025.
‘Division and becoming: Svenja Kratz’s Non-Linear Histories #2, Genetic Legacies’ Svenja Kratz, Non-Linear Histories #2, Genetic Legacies, The Barracks Gallery, Derwent Valley Arts, New Norfolk, 11-26 June, 2022.
‘Sara Maher: Working with Consciousness’ Sara Maher, ‘In (and out of) the Grey’, Bett Gallery, Hobart, July, 2021.
‘Relative geometries: notes on the landscapes of Paul Boam’ catalogue essay for ‘A Creative Life: Paul Boam’, (Curator: Sean Kelly) Moonah Arts Centre, May-June, 2021.
‘Mourning Story: On matters of time, fertility and mourning’ Svenja Kratz ‘Mourning Story: Expectations, Absences and the Potentials for Self-Persistence’ Rosny Barn and Schoolhouse Gallery, Sept – Oct, 2020
‘Breaking Horizons’ Amber Koroluk-Stephenson ‘Breaking Horizons’ Bett Gallery, Hobart, June – July, 2020
‘On love and painting’ Amanda Davies ‘Crushing’, Rosny Barn and Schoolhouse Gallery, June 1-30, 2019
‘Dreaming the Anthropocene – An Allegory’ ‘Anthropocene Noir’, Contemporary Art Tasmania (Curator: Eva Nillsen) May 2019.
‘The Lucid Shell’ Maria MacDermott ‘The Lucid Shell’ Moonah Arts Centre, September-Oct, 2019.
‘Middleground’ Amber Koroluk-Stephenson, ‘Middleground’ Bett Gallery Hobart, October 2018.
‘Michael Schlitz - light memory dark ground’ Michael Schlitz, ‘light memory dark ground’ Contemporary Art Tasmania, March 2017
‘Hunt, Nature, Birth’ Tara Badcock Hunt, Nature, Birth Devonport Regional Gallery, TAS, September 5- October 18, 2015.
‘Memory, Matter and Meaning’ Lee Harper Somoar M16 Art Space, Blaxland Centre, ACT, March 28 - April 14, 2013.
POETRY
Dogs at Night, Cordite Poetry Review, 12 February, 2026.
'How to mutate (for Sara Maher)' in (Eds) Lucas, R., Whitelock, A., & Pettitt-Schipp, R., Poetry of Change: The Liquid Amber Prize Anthology, Liquid Amber Press 2024 (longlisted).
‘Elegy at the waterfall’, Cordite Poetry Review, 1 Sept, 2024.
'Mother'Island magazine, Issue 76, Spring 1998.
EXHIBITION REVIEWS
‘Numinosity’Artlink online 15/11/2021
‘Experimenta Life Forms’ (Curators: Lubi Thomas, Jonathan Parsons and Jessica Clark) Artlink online 14/04/2021
‘New Alchemists’ (Curator: Alicia King) Artlink online 20/08/2016
‘Tricky Walsh - Tiefenzeit’Artlink online02/11/2016
‘Lucy Bleach - superslow’Artlink online 01/06/2015
The Plimsoll Inquiry’ (Curator: Fiona Lee) Artlink 34:1, March 2014.
‘Hollow in the Paper’ (Curator: Bec Stephens) Artlink 01/12/2013
‘Theatre of the World’ (Curator: Jean-Hubert Martin) Artlink 32:3, September 2012.
ARTICLES & ESSAYS
(co-authored with Svenja Kratz) 'Posthuman Genetic Legacies: Queering fertility and (im)mortality through biological arts practice' in (Eds) Lykke, N., Mehrabi, T., and Radomska, M., International Handbook of Queer Death Studies, Routledge, London/New York (forthcoming 2025).
'Julie Gough and Lucienne Rickard: Witnessing extinction', Artlink, Issue 44:1, Eco-Critical, April 2024.
‘A measure of distance’Sydney Review of Books, ‘Writers at Work’ series, July 2020
‘New frameworks for art and health’Artguide Australia, Aug 11, 2017.
‘Acts of Displacemant: An Interview with Valerie Sparks’ IslandMagazine 146, 2016.
‘Reflections on the Lab: Imagination, Submergence and Empathic Engagement’, Reflective article for GASP! ‘Art Lab : Swimmable! Reading the River’, Carbon Arts and GASP! Glenorchy City Council. Tas.
‘Everywhere else but here: revisiting failurespace’ in (2014) transmissionspace David Clegg projects 2006-2012St Paul Street Publishing, Auckland University of Technology, Auckland NZ.
David Clegg ‘Failurespace’ Writer’s Response for Cross, D (ed) (2013) Iteration Again,13 Public Art Projects Across Tasmania, Punctum Books, Brooklyn, New York. pp. 53-63
‘Reflections on the Waif: Images of slenderness and distress in pro-anorexia websites’ (2012) Australian Feminist Studies 27: 71: 37-54